![]() He does it in a way that takes on all of the potential humiliations of the character as his own.” He doesn’t try and make you know that Ryan Gosling knows that this is silly. Gerwig says she cast Gosling because “there is a quality to Ryan’s acting, even when he is hilarious, it’s never the actor standing outside of the role commenting on or judging this person. And Ken, forever an afterthought, is perhaps the funniest and saddest of them all. Gerwig, who also cowrote the film with her partner, Noah Baumbach, says that tonally, they were trying to strike a delicate balance with Ken, as they were with the whole film: It’s supposed to be funny, because it’s a film about dolls, but it’s also supposed to be full of suffering and pathos, because, well…it’s a film about dolls. Boot spurs (throughout), $3,900, by Kemo Sabe. There was not a lot to Ken before Gosling and the filmmakers got to him. ![]() In Barbie-a massively ambitious summer blockbuster that attempts to both honor the generations of children who played with the doll while also introducing new and sophisticated gender politics, the concept of mortality, and an ironic opening homage to Kubrick’s 2001-Gosling plays Ken, the adoring doll that orbits Barbie, who is played by Robbie. On the train, phones protrude from other rows at unnatural angles, and the ticket taker in our car keeps coming by to offer him snacks. He’s more sleuth-y than macho, you know?” But these days people just sort of bend toward him. “He’s very gentle,” Blunt says. “He likes to kind of sleuth around. ![]() Despite having played any number of violent men in movies, in person he reads as somewhere between reserved and simply shy. You can sort of see what Nick Cassavetes was saying when he gave him a hard time about being a leading man: His features, broad and more than a little mischievous, are just unconventional enough to remind you that the matinee idol thing wasn’t foretold. He’s wearing boots and a workwear jacket and, at 42, has merry little creases around the eyes. It was a hundred hours on a train.” He puts the phone away: “Four hours and 15 minutes.” Margot Robbie, who produced and stars in Barbie opposite Gosling, calls him “an overthinker.” Gosling, she says, will say something, “and then 40 minutes later, he’ll come up to me and be like, ‘You know when I said that? I’m just clarifying that what I meant was, blah blah.’ And I’m like, ‘Why are you still thinking about that?’ ” We’d walked through Union Station to the platform together and I’d watched a bunch of afternoon commuters, families surrounded by luggage, people with nowhere else to go just killing time, and kids in jaunty outfits like La La Land extras doing cartoon double takes, despite the white hat Gosling wore pulled down low.Īctually: “Let me make sure it’s five hours from Cornwall,” Gosling says, putting down the Starbucks cup that says “Freddie” on it and pulling out his phone. Just something he had never done and wanted to do. The Pacific Surfliner, winding out of Los Angeles and along the coast. He shares this, in part, because the two of us are on a train right now. Hat, $700, by Wild Hats.įrom Cornwall, Ontario, where Gosling grew up, to Toronto, where he began attending auditions as a child actor, was “like, a five-hour train ride,” Gosling says. ![]() Vintage boots (throughout) from Kincaid Archive Malibu. ![]() “I didn’t do the film to do Muay Thai,” he says. “And I don’t think I did Muay Thai once in that film,” Gosling says. “And these films became ways to do that, like time capsules.” For Only God Forgives, Refn’s next film, Gosling spent months in Thailand before shooting began, training in Muay Thai camps, learning to fight. “I was trying to find a place to put all these things that were happening to me,” Gosling says. For 2011’s Drive, he and the film’s director, Nicolas Winding Refn, spent days driving across Los Angeles, listening to music, whittling away dialogue from their script until the film was purely about the unnameable sensation the two of them shared in the car. For 2010’s Blue Valentine, Gosling lived for a time with his costar, Michelle Williams, in the house where they shot the film, playing the part of parents with the young actor who played their daughter. “Even though I think Ryan has watched a lot of movies, the way he acts is as if he hasn’t watched that many movies,” Emily Blunt, who first got to know Gosling on the set of David Leitch’s forthcoming movie The Fall Guy, says. Sometimes what he was doing barely looked like acting at all. In his youth, Gosling treated acting a little bit like therapy, or an opportunity “to teach myself about myself.” He was in search of experiences-films that could capture a mood, or a feeling. ![]()
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